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Write the Damn Thing: How to Make Progress on Your First Draft (Or Make Your Title Needlessly Long)

First drafts, even good ones, are terrible. It doesn’t matter if you are in your first workshop, writing your master’s thesis, or starting your three hundred and seventy-second novel, it will be bad. This is not a reflection of your skill as a writer, but rather a fundamental law. The E=mc^2 of writing, if you will.

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Knowing When To Give Up

Sometimes you realize that the story/chapter/poem/memoir/article that you’re writing is garbage. Not garbage in the sense that a few line edits might fix, but garbage as in this particular story/chapter/poem/memoir/article would be better if everyone involved just stopped what they were doing and took a nap. One of my stories (one I was particularly fond of) was completely torn apart after I sent it to an established writer for review. When I read this person’s suggestions (verbal beatings) I spent the rest of the day moping and feeling sorry for myself and realized my story was mostly garbage. A whole day later I sat back down, refreshed and determined to create anew and started to work on the story again. Only nothing would come out. The characters were bland, the plot was laughable at best, and all my words came out at a fourth grade level. Then my wife gave me some of the best advice I have been given as a writer to this day. She told me to give up on it (for a little while at least).

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Readers Really Do Make Better Writers

I recently had an “ah-ha” moment while reading Cormac McCarthy’s Border Trilogy. In that moment, I finally understood what my teachers meant when they told me I needed to be a good reader if I wanted to be a good writer. Of course, I already understood logically why reading fiction leads to better writing: through reading good fiction we learn how to structure plots and develop characters and write dialogue, etc. But it was still blurry to me as to how reading a novel or short story would concretely enhance my craft.

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Writing while Traveling

There is much to think about when you travel. I’m headed to Boston in the next couple of weeks, and I’ve thought a lot about my itinerary. I’m one of those people who plan, organize, and then plan again. It becomes a balancing act when trying to measure which things to do or places to see to constitute which weighs the most. I’ve thought about going to Concord while I’m there and daydreaming about my childhood obsession with “Little Women.” I’ve thought about knocking on Paul Revere’s door to see who answers and even contemplated buying a studio there to put a desk next to a window facing the Back Bay area.

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The Voices in my Head and Other Reasons Not to Write

There’s something thrilling about starting a new project, whether it’s starting work on a new short story, cracking the spine of brand new book, trying a new recipe, or beginning an online literary journal.  From the earliest meetings about South85, I was positively giddy about the opportunity to serve as editor.  Behind that excitement, however, there was (and still is sometimes) an underlying feeling of fear.  Who do I think that I am?  Sure, reading lots of submissions and picking the absolute best to share with our readers sounds like my ultimate idea of fun.  But deep down, there lingers a smidge of doubt.  I’ve met literary journal editors.  Mostly, my fellow writers and I speak of them in hushed tones, praying they will remember our names when one of our manuscripts come across their desks.

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