Tag Archives: #Poetry

Linda Briskin is a writer and photographer. She is intrigued by the permeability between the remembered and the imagined, and the ambiguities in what we choose to see. The fluidity between the natural and the constructed fascinates her. Her focus, then, is on inventing images rather than capturing them. Her photographs have been exhibited and published widely. https://www.lindabriskinphotography.com/

South 85 is Open for Submissions

February 9, 2023Blog#Creative Nonfiction, #Fiction, #Poetry, #Writerslife, South 85 Journal, writingLisa Hase-Jackson

South 85 Journal is excited to announce that we are open for general submissions until April 15, 2023. We consider all quality work and are especially interested in writing that demonstrates a strong voice and sense of place.

As the online literary journal for the Converse University Low-Residency MFA program, we are entering our 11th year of publication. Our editorial staff is comprised of experienced readers, writers, and editors who carefully consider every work of writing they receive.

We publish two issues online each year: the summer issue, which is published June 15th, and the winter “contest” issue–which features each year’s Julia Peterkin Literary Award winner–published December 15th.

We also nominate excellent works for the Pushcart Prize and the annual Best of the Net Anthology.

Past contributors include: Dustin Brookshire, Luanne Castle, Anthony D’Aries, Benjamin Garcia, Caroline Goodwin, Ann Chadwell Humphries, Justin Jannise, Eric Rasmussen, Katherine DiBella Seluja, Chris Stuck, and many more.

We published two stellar issues in 2022: The summer issue celebrating our 10th anniversary and the winter issue highlighting this year’s Julia Peterkin Literary Award winners and finalists in flash fiction and poetry. You can read them here:

Summer 2022 : 10th Anniversary Celebration

Winter 2022 : The Contest Issue

For more information and to submit your work for consideration, visit our Submittable page

Submit Here

Summer Poetry Contest: $500 Prize

July 4, 2022Poetry#Poetry, Julia Peterkin Literary Award, Poetry ContestLisa Hase-Jackson

The Julia Peterkin Award for POETRY:

South 85 Journal seeks submissions of previously unpublished poems of 50 lines or fewer for for the annual Julia Peterkin Literary Award for Poetry from June 1 to August 15 each year. The winning selection will receive $500 and publication in the Fall / Winter issue of South 85 Journal. Contest finalists will also be named and their work published alongside the winning selection. Submissions are read blind by an outside judge.

This year’s judge is Ashley M. Jones.

Ashley M. Jones is Poet Laureate of the state of Alabama (2022-2026). She received an MFA in Poetry from Florida International University (FIU), where she was a John S. and James L. Knight Foundation Fellow. She is the author of three poetry collections: REPARATIONS NOW! (Hub City Press, 2021); dark // thing (Pleiades Press, 2019), winner of the Lena-Miles Wever Todd Prize for Poetry; and Magic City Gospel (Hub City Press, 2017), winner of the silver medal in poetry in the Independent Publishers Book Awards. Her poems and essays appear or are forthcoming in many journals and anthologies, including CNN, the Academy of American Poets, Poetry magazine, Tupelo Quarterly, Prelude, and The Harvard Journal of African American Public Policy, among others.

Submit up to three unpublished poems of 50 lines or fewer.
All submissions will be read blind. Please do not include personal information on your manuscript or file. Submissions that include identifying information will not be considered.
The winning poem will be awarded a cash prize of $500.
Four semi-finalists will also be named and published in South 85 Journal.
Simultaneous submissions are accepted, but please withdraw your entry if your poem is accepted elsewhere. Partial withdrawals are allowed.
Multiple contest submissions will be considered as long as a separate submission fee is paid for each contest entry.
Work may be submitted in both Flash Fiction and Poetry categories as long as the submission fee is paid for each contest entry.
All winners must be over 18 years old and reside in the U.S. in order to claim cash prize.
Please use 12 point, standard font. We suggest Times New Roman.
We consider only previously unpublished work.
Current and former South 85 Journal staff members are not eligible for participation.
Current Converse College students and Converse MFA alum are not eligible for participation.
Results will be announced in October.

South 85 Journal does not publish work which has been previously published either in print or online. We acquire exclusive first-time Internet rights only. All other rights revert to the author at publication. Works are also archived online. We ask that whenever an author reprints the work that first appeared on our pages, South 85 Journal be given acknowledgment for the specific work(s) involved. Only the main contest winner will receive a prize.

Submit Here

[Lately when sorrows come]

April 30, 2022Blog, Poetry#National Poetry Month, #Poetry, #Writerslife, Brockman-Campbell Book Award, South Carolina Book Prize, Susan Laughter MeyersLisa Hase-Jackson

by Susan Laughter Meyers

—with a line from Sappho

Spring 2012

Lately when sorrows come—fast, without warning—
whipping their wings down the sky,
I know to let them.
Not inviting them, but allowing each
with a deep breath as if inhaling a wish I can’t undo.

Some days the sky is so full of sorrows
they could be mistaken for shadows of unnamed
gods flapping the air with their loose black sleeves:
the god of head-on collisions,
the god of amputated limbs,
the god of I’ll-dress-you-in-mourning.

Is the buzz in the August trees,
that pulsing husk of repetition, an omen?
I hear it build to a final shaking. I hear it build
louder and louder, then nothing.
Like a long, picaresque novel that’s suddenly over.
Like the last inning of kickball until the rain.

What falls from the sky is not always rain
or any kind of weather. Call it precipitous.
I’m fooling myself, of course. Wearing sorrow
is nothing like skin shedding water.
It’s more like the weight of a cloak of crows.

And yet the sun still shines on the honey locust
arching its fringe over grass. Lit, too,
the pasture and its barbwire strung from post
to leaning post. See how the stump by the road
is rotting and how the small yellow leaves, twirling,
catch light on their way to the ground.

Susan Laughter Meyers, of Givhans, SC, is the author of Keep and Give Away (University of South Carolina Press), winner of the inaugural SC Poetry Book Prize, the SIBA Book Award for Poetry, and the Brockman-Campbell Book Award. Her poetry has also appeared in The Southern Review, Beloit Poetry Journal, and other journals, as well as Poetry Daily, and Ted Kooser’s American Life in Poetry column. Her blog is at http://susanmeyers.blogspot.com.

Humakind Needs Larger Birds

April 26, 2022Poetry#NationalPoetryMonth, #Poetry, Poem a Day, South 85 10th AnniversaryLisa Hase-Jackson

by Justin Jannise

Winter 2022

Humankind needs larger birds:
red-tailed hawks scaled up
to pterodactyl proportions;
twelve-story great white egrets,
spear-sharp bills puncturing
our roofs like giant stilettoes;
a helicopter hummingbird or two
always hovering, thirsty for us
to make just one wrong move.
We need more natural predators
to humble us into greater regret,
more meaningful action. We share
too little of the terrestrial burden
that camels, mules, and antelope
bear. Let the crow outgrow
our bomber planes. Let the great
horned owl outsmart us.
And let them be, as we are,
locked doors unto themselves,
their hearts grand ballrooms
of sinew and mystery, their brains
locomotive engines of synapse
and being their own worst enemy.

—

Justin Jannise is the author of How to Be Better by Being Worse, which won the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions, Ltd., in April 2021. His poems have appeared in Best New Poets, Best of the Net, Copper Nickel, Yale Review, and New Ohio Review. Recently a recipient of the Imprint Verlaine Prize in Poetry and the Editor-in-Chief of Gulf Coast, Justin lives in Houston, where he is pursuing his Ph.D.

Delta Summers

April 25, 2022Poetry#National Poetry Month, #Poetry, Poem a Day, South 85 Journal Ten Year AnniversaryLisa Hase-Jackson

by Cody Smith

Summer 2016

So much of those summers scraped against cypress groves as we
paddled the pirogue and prayed against storms. The mud-bogged
Catahoula Lake bank would swallow James Larry’s pickup like
an egg in a snake’s throat. Days ended the same: heat showers,
catfish pliers and fillet knife in my hand, my father in his work
shop fumbling the knobs of an acetylene tank, him trying to talk
to me through the blue-pointed whirl of blowtorch, hunkering
down to his work, hood pulled over his face, his flame gutting
metal, labor and whatever wisdom I didn’t hear sifted through
the chokecherry, lifted crows from their perch in the red oak,
folded wasps and dirt daubers back into their nests while
momma and grandpa cooked yesterday’s catch in the fry shed
out back, the sizzle of cornmeal hitting grease, wet air battered
by fish musk, fried okra, the wild jasmine vine that ran the front
porch posts, and the lit citronella candles calling the dusk home.

Cody Smith is a Louisianian studying poetry in the Northwest where he’s an MFA candidate at the Inland Northwest Center for Writers. He spends most days lamenting creole food, sea level, and humidity. His work has appeared or is forthcoming in Louisiana Literature, Permafrost, Glass Mountain, Cactus Heart, Belle Reve, among others. He is the editor-in-chief at The Swamp Literary Magazine.

Remnants

April 23, 2022Poetry#NationalPoetryMonth, #Poetry, Poem a Day, South 85 Journal Ten Year AnniversaryLisa Hase-Jackson

by Holly Day

Summer 2019

The snail shell lies on its side on the ground
empty save for a few dried curls of flesh, the weight
of something solid somewhere deep inside.

I place it in the middle of my palm, feel that sad, solid weight
what’s left of a snail tricked out of the shadows
by afternoon thunderstorms and cool, summer nights.

Holly Day’s poetry has recently appeared in Plainsongs, The Long Islander, and The Nashwaak Review. Her newest poetry collections are A Perfect Day for Semaphore (Finishing Line Press), In This Place, She Is Her Own (Vegetarian Alcoholic Press), A Wall to Protect Your Eyes (Pski’s Porch Publishing), I’m in a Place Where Reason Went Missing (Main Street Rag Publishing Co.), and The Yellow Dot of a Daisy (Alien Buddha Press).

Driving to the Blackberry Valley Transfer Station on Inauguration Day

April 19, 2022Blog, Poetry#NationalPoetryMonth, #Poetry, #South85, #writer, Bennette E. Geer Professor of Literature, creativewriting, Gilbert Allen, South 85 Journal, South 85 Journal Ten Year AnniversaryLisa Hase-Jackson

Greenville, South Carolina, January 20, 2009

by Gilbert Allen

Maybe a seven-minute ride. Turns out
a lot of us white guys are here today,
pickups mostly, stuck with American flags
like Band-Aids over bumpers, back windows,
in honor of the history behind us.

Hauling two months of litter and beer bottles
from my blue luxury sedan, I must
appear to be a lost investment banker
hiding the bender he’s still getting over.
The guy beneath the HERITAGE NOT HATE
cap smiles. “Looks like you had yourself a time.”

He smells like he’s biodegradable.
I toss Buds into the dumpster, one by one,
so he’ll gimp off before my box is empty.

It works. It’s only me, as I repop
my trunk, and drag bag to the garbage bays
to fortify the artificial hill.
Mission Accomplished. Although I’ll be back,
sooner or later, with another load
of crap my cat and I want to be rid of,
filling what cavities our land still holds.

Gilbert Allen lives in Travelers Rest, SC, from where he frequently proceeds south (and north) on I-85. He’s the author of five collections of poems, including Driving to Distraction (Orchises, 2003), which was featured on The Writer’s Almanac and Verse Daily. Since 1977 he’s taught at Furman University, where he’s currently the Bennette E. Geer Professor of Literature.blog

High Noon at the Hopi Gas Station

April 18, 2022Poetry#NationalPoetryMonth, #Poetry, Colorado Mesa University, creativewriting, East of Kayenta, High Noon at the Hopi Gas Station by John Nizalowski, John Nizalowski, Land of Cinnamon Sun, poetry, South 85 Journal, The Last MatinéeLisa Hase-Jackson

John Nizalowski

Spring/Summer 2018

Reservation dogs
of uncertain breed
sleep in the gas
station parking lot.
A stiff hot wind
blows empty packs
of Camels, Hershey
bar wrappers, and
an empty Coors can
across the rippling tar.
Low, flat-bottomed
cumulous clouds rest
on the sky’s glass pane,
reflecting the red sands
of the desert below.

To the south, ancient
stone cities stand atop
narrow bluffs and solid
mesas. Old priests with
parrot feather staffs
celebrate deep, dusty
time in secret kivas.
Every day is a god,
each star a prayer.

While here at the station,
the register dials up the
cost in digital numbers –
99 cent Coke, three
dollars in corn chips,
and twenty-five in
gasoline – the smell
of colonial commerce.

John Nizalowski is the author of four books: the multi-genre work Hooking the Sun; two poetry collections, The Last Matinée and East of Kayenta; and Land of Cinnamon Sun, a volume of essays. Nizalowski has also published widely in literary journals, most notably Under the Sun, Weber Studies, Puerto del Sol, Slab, Measure, Digital Americana, and Blue Mesa Review. Currently, he teaches creative writing, composition, and mythology at Colorado Mesa University.

Before the Sting

April 17, 2022Poetry#National Poetry Month, #NFPW, #Poetry, Before the Sting by Lynn Marie Houston, Connecticut Press Club Prize, creativewriting, South 85 Journal, writingLisa Hase-Jackson

by Lynn Marie Houston

Winter 2016

The postman leaves a cage of babies,
angry ones who rattle, buzz, and hum,

babies who are hungry, who kick segmented legs
through the open spaces in a metal screen.

I feed them generous blasts of sweetwater
from a spray bottle, I mother them. I shake them

out of a hole in the shipping box and into
the hive I’ve made. Within weeks,

the foragers are already teenagers
wearing orange, pink, and white

from the yard’s blooms. As I lean in close
to watch them leave the hive and return with

nectar and pollen, one of them passes too close,
entangles herself in my hair. I feel her wings

against my scalp, legs tugging fine strands,
the painful knot of us—mother and child.

Lynn Marie Houston holds a Ph.D. from Arizona State University. Her first collection of poetry, The Clever Dream of Man (Aldrich Press 2015), won the 2016 Connecticut Press Club prize for creative work and went on to take 2nd place in the nationwide competition sponsored by the National Federation of Press Women. Poems and essays by her have appeared in journals such as Painted Bride Quarterly, Ocean State Review, Word Riot, Squalorly, and many others.